Hollyhock House is the only Frank Lloyd Wright residence in the City of Los Angeles that the city identifies as open to the public. The other Los Angeles houses are private or undergoing renovation; nearby Wright works include Anderton Court Shops in Beverly Hills and Millard House in Pasadena. The distinction matters for planning: a landmark’s public profile does not mean visitors can enter it.
Which Wright buildings can you visit?
For an interior visit, start with Hollyhock House in Barnsdall Art Park. As of September 30, 2026, its official visitor page lists tours Thursday through Saturday, 11 a.m. to 4 p.m., with last entry at 3:30 p.m. Advance reservations are recommended. The city describes the available experience as an in-person, self-guided tour; printed and digital guides are available onsite. Check the official visitor page before setting out for ticket details and closure dates, which can change.
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| Building | Location and date | Building type | Access status reported |
|---|---|---|---|
| Hollyhock House | East Hollywood, City of Los Angeles; 1919–1921 | Residence | Open to the public; visit arrangements are listed by Hollyhock House. |
| Residence A | Barnsdall Art Park, City of Los Angeles; completed 1921 | Guest house | Distinct from Hollyhock House; no public visitor access is established here. |
| Storer House | Hollywood, City of Los Angeles; 1923 | Private residence | Not open to visitors. |
| Samuel Freeman House | Hollywood Hills, City of Los Angeles; 1924 | Residence | Under additional renovation related to earthquake damage; check current status. |
| Ennis House | Los Feliz, City of Los Angeles; 1924 | Private residence | Listed as privately owned and not open to the public. |
| Sturges House | Brentwood, City of Los Angeles; 1939 | Private Usonian residence | Private; do not enter or disturb residents. |
| Anderton Court Shops | Beverly Hills; 1952–1954 | Commercial shops | Exterior architecture can be viewed at an active commercial site; entry to businesses is at their discretion. |
| Millard House (La Miniatura) | Pasadena; 1923 | Private residence | Current visitor access is not established here. |
The dates and access descriptions in this table are drawn from the City of Los Angeles, the Frank Lloyd Wright Foundation, the Frank Lloyd Wright Building Conservancy, the Los Angeles Conservancy, and official building information. Private-site access can change; verify with an authoritative source before planning around anything other than Hollyhock House.
Hollyhock House: Wright’s garden-centered Los Angeles commission
Oil heiress and theater producer Aline Barnsdall commissioned Hollyhock House as part of a larger vision for experimental theater, residences, and shops. The house and two secondary residences were the realized core of the plan. Barnsdall wanted a home that was “half house and half garden,” and Wright answered with terraces, pergolas, colonnades, and transitions that connect rooms to outdoor spaces. Hollyhock forms recur in the ornament, art glass, and furnishings.
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Architecturally, the house sits between Wright’s Prairie-era houses and his later textile-block experiments. On July 7, 2019, it became one of eight Wright sites in the UNESCO World Heritage serial property “The 20th-Century Architecture of Frank Lloyd Wright,” and the first World Heritage Site in Los Angeles, according to the city.
Other Wright houses within Los Angeles
Residence A at Barnsdall Art Park
Residence A was completed in 1921 as a guest house for the Hollyhock House project. It lies within the Hollyhock House World Heritage Site boundary, but it is a separate building and should not be confused with the house visitors tour. The City of Los Angeles Department of Cultural Affairs says its restoration began in 2017 and cost more than $5 million.
The textile-block houses
Wright’s textile-block system uses patterned concrete blocks that interlock to form walls with a strong geometric surface. Three examples are in the City of Los Angeles—Storer, Freeman, and Ennis—while the fourth, Millard House, is in Pasadena. Together they make a useful architectural group, but their histories, patterns, and present conditions differ.
- Storer House: Built in 1923 for Dr. John Storer at 8161 Hollywood Boulevard. The Frank Lloyd Wright Foundation notes that its textured blocks use four patterns, a distinction among the four houses. It remains a private residence.
- Samuel Freeman House: Built in 1924 at 1962 Glencoe Way. The Foundation reports that the house contains 12,000 cast concrete blocks and that the Freemans used it as an artistic and political salon. USC’s School of Architecture received the house by donation; the Foundation reports further renovation associated with earthquake damage.
- Ennis House: Built in 1924 for Charles and Mabel Ennis, with construction supervised by Wright’s son Lloyd. The Los Angeles Conservancy describes more than 27,000 blocks, made by hand from decomposed granite from the site. The Foundation calls it the last and largest of Wright’s four Los Angeles-area textile-block houses.
- Millard House (La Miniatura): Built in 1923 in Pasadena. It belongs in a discussion of Wright’s Los Angeles-area work, not a list of buildings inside the City of Los Angeles.
Ennis House is also familiar from film and television: its screen appearances include The House on Haunted Hill (1959), Blade Runner (1982), and Buffy the Vampire Slayer. A film location or recognizable exterior is not an invitation to enter a private property.
Rank #3
Sturges House in Brentwood
Completed in 1939, the Sturges House is a Usonian residence on a steep site. The Los Angeles Conservancy describes it as a single-story pavilion with a prominent cantilevered deck. Wright called it, in a letter to John Lautner reproduced by the official Sturges House site, “one of the simplest things we have done and one of the best.”
A Wright building beyond the city: Anderton Court Shops
Anderton Court Shops is a commercial project, not a house, at 332 N. Rodeo Drive in Beverly Hills. California’s Office of Historic Preservation describes six small shops arranged around an angular ramp and central light well; the National Park Service recognizes it as an important example of Wright’s retail work. It is an active commercial property: visitors may look at the architecture, but access to individual businesses is governed by those businesses.
Rank #4
Preservation and condition are part of the story
Wright’s concrete-block buildings are not simply decorative façades. Their textured surfaces are the defining feature of a construction system, and maintaining them has been a continuing challenge. The Los Angeles Conservancy documents deterioration at Ennis House after earthquake and heavy-rain damage, followed by restoration work and a conservation easement. These measures are part of the building’s preservation history, not a guarantee that every repair issue is resolved.
Sturges House faces a different, current preservation concern. The Los Angeles Conservancy reported in 2026 that it made the house its first advocacy priority on its 2026 Watch List and that the Los Angeles Department of Building and Safety issued a Notice of Code Violation on July 1, 2026, followed by an Order to Comply on August 24, 2026. Those dated actions describe an enforcement timeline, not a final resolution. The Conservancy also reported the house vacant and at risk from neglect.
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Quick Recap
How to plan a Wright architecture visit
- Reserve Hollyhock House first. Use the official Hollyhock House visitor page for the current schedule, tickets, closure dates, and reservation guidance.
- Decide whether your focus is buildings or interiors. Hollyhock House is the reliable public interior visit identified by the City of Los Angeles. Other sites in the city are private, under renovation, or not established as visitor destinations.
- Keep neighboring jurisdictions clear in your itinerary. Anderton Court Shops is in Beverly Hills; Millard House is in Pasadena. Neither is within the City of Los Angeles.
- Respect private property. Do not enter residential sites, approach residents for access, or treat a public street view, historic listing, or screen appearance as permission to visit inside.
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