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A cooler landscape can be designed by combining shade with evaporative cooling, as two installations in Design Doha’s 2026 Public Design Commissions program illustrate. Cooling Pots filters sunlight through porous terracotta; Salsabil pairs a ceramic shelter with fine mist. These are design descriptions and intentions, not measured demonstrations of temperature reduction.
The examples are useful because they treat comfort as a spatial and material question rather than as an add-on. Each intervention gives shade a visible architectural form, then adds a water-related strategy. Neither project, however, is presented with a quantified temperature drop, energy saving, operating cost or head-to-head test. The responsible lesson is therefore about design choices and evaluation questions, not a guaranteed result.
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How can landscape design create cooler outdoor spaces?
In the Doha examples, cooling comes from shaping the space around people as well as selecting materials. Shade limits direct sunlight, while evaporative cooling or fine mist introduces water as part of the design. The installations show two distinct ways to combine those ideas: a suspended canopy of porous pots and a modular shelter that integrates mist.
That distinction matters. A design can be intended to create a cooler-feeling place or a localized microclimate without a reported measurement proving a particular result. The projects are useful as examples of design approaches, not as comparative performance tests or universal recipes.
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For a project team, the first question is not simply, “Which material is coolest?” It is, “How should shade, enclosure, water and circulation be arranged for the intended use?” The reported installations put those decisions into the architecture itself. A canopy can become a place to gather and rest; a shelter can make a small zone of urban comfort legible to visitors. The source describes those ambitions, but it does not specify a target air temperature, surface temperature, humidity level or duration of effect.
What is Cooling Pots?
Cooling Pots, by Haitam Daoudi and Oscar Cruz of +.atelier, is described as a suspended canopy made from porous terracotta pots in varying sizes. Hung from a modular steel structure, the pots filter sunlight and form layered shade. The installation’s designers describe it as a setting for gathering, rest and shared experience, while the feature says it cools the surrounding atmosphere through evaporative cooling.
Its design combines three elements: a canopy that interrupts direct sun, porous terracotta as the chosen material, and a modular frame that suspends the pots overhead. The varying sizes are part of the visual and spatial composition, creating a field rather than a single solid roof. The modular steel structure provides the supporting armature described in the feature; the account does not give its dimensions, connection details, loading criteria or foundation design.
The material choice is central to the concept. The pots are described as porous, and the cooling mechanism is described as evaporative. That wording supports explaining the intended relationship between terracotta and water, but it does not support assigning a specific evaporation rate or temperature reduction. No water-delivery arrangement, refill schedule, drainage detail, controls, maintenance plan or lifecycle assessment is reported.
It is also important not to reduce the project to a shopping list. Ordinary retail pots may be made from terracotta, but they would not automatically reproduce a suspended canopy with carefully arranged sizes, a modular steel structure or the same spatial experience. The source does not establish that an individual pot, a cluster of pots or a retail misting accessory would deliver the installation’s stated effect.
How does Salsabil use shade and mist?
Salsabil, by architect and urbanist Meriem Chabani, is a modular ceramic shelter combining shade with fine mist. The feature describes it as drawing on traditional water-cooling approaches and as intended to create localized microclimates. Chabani explained the ambition this way: “If we can’t plant trees, perhaps we can make clouds. I wanted to explore how we could create small microclimates and offer an alternative form of urban comfort”.
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The phrase “modular ceramic shelter” distinguishes Salsabil from the suspended pot canopy. Here, the shelter itself is the primary spatial element, while fine mist is integrated into the experience. The description does not identify the ceramic type, thickness, finish, structural system, nozzle arrangement, water source, filtration, controls or cleaning regime. Those omissions are not reasons to dismiss the idea; they are reminders that a design description is not an engineering specification.
Salsabil’s reference to traditional water-cooling approaches also gives the project a cultural and historical dimension. Chabani’s stated aim is to explore small microclimates and an alternative form of urban comfort. That is an intention to test how public space can feel and function, not a claim that every ceramic shelter with mist will create the same conditions. The feature reports no measured result for air temperature, radiant temperature, humidity, water consumption or user comfort.
What do the two designs show—and what don’t they prove?
The examples show how a public-space intervention can make shade central to its form and pair it with a water-related cooling strategy. Their structures differ: a pot canopy suspended from modular steel in one case, a modular ceramic shelter in the other. Their mechanisms differ too: the feature describes evaporative cooling around the terracotta pots and fine mist as part of Salsabil.
They share a broader design logic. Neither treats cooling as an invisible mechanical service alone. Both make the intervention part of the landscape’s identity, and both organize a place for people rather than describing a bare technical device. Cooling Pots is framed as a climatic landscape for gathering, rest and shared experience. Salsabil is framed as an exploration of microclimates and urban comfort. Those are meaningful programmatic goals even though the source does not quantify their performance.
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They do not provide a quantified temperature drop, energy saving, operating cost, water-use figure or head-to-head comparison. Those figures should not be inferred from the materials or design intent. Nor do the descriptions establish that ordinary retail terracotta pots, an unspecified misting system or a generic ceramic enclosure would reproduce a professionally designed installation. The reported result is a design proposition and a stated intention to offer shade and urban comfort, not a measured performance claim.
How should the mechanisms be compared?
A useful comparison starts with the cooling mechanism. Cooling Pots is described through filtered sunlight, layered shade and evaporative cooling associated with porous terracotta. Salsabil is described through shade and fine mist within a modular ceramic shelter. The first presents many suspended elements within an overhead frame; the second presents a shelter as the enclosing architectural object.
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The primary material is another axis. Cooling Pots uses porous terracotta pots, while Salsabil uses ceramic construction. The source does not say that one material is inherently better, more durable or more efficient than the other. It only identifies the materials as part of each project’s design language and stated cooling approach.
Structure and integration also differ. Cooling Pots depends on a modular steel structure to suspend the pots. Salsabil is itself described as modular ceramic shelter. A team comparing the concepts would need to ask how each system is assembled, supported, accessed and maintained, but the feature supplies none of those specifications.
Finally, compare the evidence, not just the appearance. For both projects, the evidence reported is a design description and an account of intent. There is no reported field test, control case, monitoring period or performance figure. That makes the projects valuable precedents for thinking, while leaving quantitative claims open.
What can a project team take from these examples?
For architects, landscape designers and public-space teams, the clearest takeaway is to treat shade and cooling mechanisms as parts of one spatial design problem. Consider how an overhead structure filters sunlight, what role the material plays, and whether water is incorporated through an evaporative approach or fine mist. These questions follow from the two examples; the feature does not provide engineering specifications, operating requirements or a design standard.
A design brief can identify the intended benefit—such as shaded rest, gathering, shared experience or a localized microclimate—before selecting a form. It can then ask the design team to explain how the proposed structure creates that condition. Is shade continuous or layered? Is the water-related element visible as part of the public experience? Does the intervention read as a canopy, a shelter or a climatic landscape? The reported projects suggest these are legitimate design questions, but they do not answer them for another site.
Teams should also separate concept decisions from verification. A concept package may show terracotta pots, ceramic modules, steel supports, mist or other elements. A later technical package would need to establish whatever the project requires for safety, water handling, access and upkeep. None of those requirements is supplied for Cooling Pots or Salsabil, so they should be determined by the responsible professionals rather than borrowed from the examples.
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Performance goals likewise need to be stated independently. If a client wants a temperature target, a comfort target or a water-use limit, the project should define how that goal will be measured. The feature gives no baseline, sensor data, monitoring period or comparison with a conventional shade canopy. Without those items, a team can describe the intended mechanism but cannot claim a verified outcome.
What about cost, maintenance and procurement?
No purchase price, construction budget, operating cost or water cost is reported for either installation. There is also no verified merchant, tracked product link or standard kit associated with the projects. Any budget number would therefore be invented rather than drawn from the descriptions.
The same caution applies to procurement. “Porous terracotta pots” is a defensible material search phrase because it reflects the Cooling Pots description, but retail pots may differ in size, porosity, strength, finish and suitability for suspension. A modular shade-structure supplier or an outdoor cooling-design service could be a relevant category for a future project, yet the feature does not identify a vendor or confirm that a commercial system matches either installation.
Maintenance should be treated as an open design question. The source does not say how pots are watered, how mist is supplied, how ceramic or terracotta components are cleaned, or how the structures are inspected. A project team can put those questions into its brief without pretending that the answers are known. The examples support early coordination between landscape, architectural, structural and water-system disciplines; they do not supply a maintenance manual.
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Use precise language. It is accurate to say that Cooling Pots is described as filtering sunlight and cooling the surrounding atmosphere through evaporative cooling, and that Salsabil combines shade with fine mist to create intended localized microclimates. It is not accurate to promise a particular number of degrees of cooling, a guaranteed energy saving or a proven replacement for planted trees.
Chabani’s statement about making clouds and offering an alternative form of urban comfort communicates aspiration rather than a test result. Similarly, the Cooling Pots description of gathering, rest and shared experience communicates the social purpose of the climatic landscape. Retaining that distinction helps a client understand what is established: the form, material and stated intent. It also makes clear what remains to be tested on the eventual site.
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What is the source and date for these examples?
Wallpaper*’s feature “Design Doha’s public commissions look to the past to design for the future”, published November 10, 2026, reports on the Design Doha Public Design Commissions program. It covers Salsabil by Meriem Chabani, Cooling Pots by Haitam Daoudi and Oscar Cruz of +.atelier, and Palm Construct by Abdalla Almulla. This article uses only the cooling-related descriptions of the first two installations.
The feature does not verify that these projects or claims appeared in the Building Design + Construction article named in the title. They should therefore be presented as Design Doha examples reported by Wallpaper*, not attributed to BD+C. The source also supplies no measured cooling result for either installation.
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Frequently Asked Questions
How much cooler did Cooling Pots make the surrounding area?
The Wallpaper* feature published November 10, 2026, gives no measured temperature change for the installation. It describes the intended shade and evaporative-cooling approach, but does not quantify the outcome.
How much mist does Salsabil use?
The feature identifies fine mist as part of the modular ceramic shelter but gives no flow rate, nozzle count, water volume or operating schedule.
Can standard terracotta pots be used to recreate Cooling Pots?
The described work is a professionally designed suspended canopy with pots of varying sizes on a modular steel structure. Ordinary retail pots may not match its dimensions, structure, porosity or cooling performance.
Are Cooling Pots and Salsabil proven alternatives to planting trees?
No. The feature presents them as public-space design interventions, not as proven substitutes for trees. It reports no comparative measurements of shade, cooling or other environmental effects.
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Repair common Windows errors and clear accumulated junk for a smoother, more stable PC - no reinstall needed.Free scan · no reinstallWhich project is more effective, Cooling Pots or Salsabil?
The source does not provide a head-to-head test or a measured result, so it cannot establish that one is more effective. They use different mechanisms, materials and structural approaches.
The Bottom Line
Cooling Pots and Salsabil show two ways to make shade and water-related cooling visible in public-space design: a suspended porous-terracotta canopy and a modular ceramic shelter with fine mist. Their value is conceptual and spatial. Because the cited Wallpaper* feature reports no measured temperatures, costs, water use or comparative tests, any new project must establish its own technical requirements and verify its own performance.
