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Gilberts managed the indoor jungle attraction’s comfort challenge primarily through ventilation design, not a published temperature-balancing result. At the 2,500 m² I’m a Celebrity… Get Me Out Of Here-themed venue at MediaCityUK in Manchester, the project team retained existing rooftop air-handling plant and paired Gilberts’ GSF omni-directional swirl diffusers with Coanda plates for supply air and GSXE exposed circular perforated diffusers for extract. The stated aim was to spread high air volumes across a low ceiling while reducing draughts and cold-air “dumping”. Gilberts’ 2021 case study describes the design intent and project constraints; it does not publish measured temperature, airflow, humidity, energy or comfort results.
What was the project that needed this airflow solution?
The project was an indoor attraction themed around I’m a Celebrity… Get Me Out Of Here at MediaCityUK in Manchester. Visitors moved through a Main Camp, the Throne, Winners Bridge, climbing walls, zip wires and treetop trails. Gilberts lists the venue area as 2,500 m² and dates the case study to 2021.
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That combination created a building-services problem rather different from conditioning a simple open hall. The attraction had low ceilings, crowded activity zones and a heavily designed interior. Ductwork, grilles and diffusers had to deliver enough outdoor air without becoming an unwelcome visual feature among jungle graphics and themed finishes.
Kimpton Energy Solutions designed and installed the mechanical building services for the back-of-house areas. The company used the attraction’s existing rooftop air-handling plant and asked Gilberts to develop the fresh-air supply and extract arrangement. The installation therefore had to work with available plant and constrained routes rather than assuming a blank-sheet building.
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How did Gilberts balance the temperature in the jungle?
The precise answer is that Gilberts addressed perceived comfort through air distribution. Its GSF omni-directional swirl diffuser, fitted with Coanda plates, was selected for supply air. Gilberts says the arrangement was intended to induct high air volumes, distribute airflow across the ceiling and reduce the risk of visitors feeling draughts or cold air dumping. GSXE exposed circular perforated diffusers handled extraction.
That is a ventilation strategy, not evidence of a measured temperature correction. The published case study does not state a starting temperature, a final temperature, supply-air volume, relative humidity, carbon-dioxide level, energy use or visitor-capacity limit. It records what the team designed to achieve and why the components were chosen; it does not provide an independent performance comparison.
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Gilberts sales manager Jason Laugharne described the intent as follows: “By utilising our circular swirl diffusers combined with coanda plates, we were able to optimise airflow across the ceiling and so minimise the risk of visitors feeling the effects of draughts or cold ‘dumping’ whilst delivering the high air volumes needed.” The quotation is a supplier statement about the project’s design objective, not a test result.
Why were low ceilings and jungle graphics important constraints?
Air terminals need enough room to discharge air, entrain surrounding room air and avoid creating an uncomfortable jet at occupied level. A low ceiling reduces that room for the discharge pattern to develop. If a large volume of cool air falls directly into a visitor zone, people can experience it as a draught even when the room-average temperature appears acceptable.
Themed graphics added a second constraint. Conventional visible grilles or large linear diffusers could interrupt the visual story, compete with signage or require openings in decorated surfaces. The case study says Kimpton had to route ductwork through constrained, congested areas and create a building-services solution without impacting the interior design and graphics.
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These requirements pull in opposite directions: the attraction needs substantial supply and extract capacity, but the terminals must be compact, visually tolerable and suitable for a shallow ceiling zone. The selected arrangement was therefore a coordination decision as much as an airflow decision.
What did the GSF supply diffusers do?
The GSF units were described as omni-directional swirl diffusers with Coanda plates. In general HVAC terms, a swirl outlet gives supply air a rotating, spreading discharge pattern. A Coanda plate encourages the air stream to attach to and travel along the ceiling surface. That ceiling-hugging path can give the supply air more opportunity to mix with room air before it descends into the occupied zone.
For this attraction, Gilberts’ stated use was to induct high air volumes while minimising the chance of a direct cold jet. “Induction” here means drawing surrounding room air into the moving supply stream so the delivered air mixes rather than remaining a concentrated plume. The case study does not publish the diffuser size, neck velocity, throw, temperature differential or number of terminals, so those figures should not be inferred from the product description.
The omni-directional pattern also suited a room where activity occurred in several directions rather than along a single aisle. A radial distribution can help avoid designing every outlet to serve one narrow line of travel, although the final pattern still depends on ceiling geometry, obstructions, air volume and balancing. No measured airflow map is included in the source.
How was extract air handled?
Gilberts specified GSXE exposed circular perforated diffusers for extraction. An extract terminal removes air from the space and returns it to the air-handling system or exhaust route, depending on the system configuration. Perforated faces distribute the intake over an area rather than presenting one large, visually dominant opening.
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Extraction mattered because visitors and equipment add more than sensible heat. Physical activity can raise moisture generation, and a busy attraction can produce changing contaminant loads. Removing air while supplying replacement air helps the system manage those loads, but the case study gives no humidity, carbon-dioxide or contaminant measurements and does not claim a particular indoor-air-quality level.
The exposed format also had to be coordinated with the themed interior. “Exposed” does not mean the terminals were randomly visible; it means the diffuser face was installed in the room rather than hidden above a conventional finished ceiling. Placement, colour, access and cleaning requirements would still need to be resolved in the construction and fit-out packages.
How did the existing rooftop plant affect the design?
Reusing existing rooftop air-handling plant set the envelope for the solution. The project team had to establish what the plant could supply and extract, how much pressure was available in the duct system and where new branches could be routed. The available data does not identify the plant model, fan duty, filtration, heating or cooling coil capacity, controls sequence or available spare capacity.
That omission is important for anyone trying to transfer the approach to another building. A diffuser cannot create airflow that the air-handling unit and ductwork cannot deliver. Before selecting terminals, an engineer would need the design air quantities, design temperatures, static-pressure budget, zoning strategy, fire and smoke requirements, acoustic criteria and access provisions for maintenance.
Kimpton project manager Peter Haresnape called the job complex because ductwork had to pass through “constrained, congested areas” while preserving the interior design. He also credited Gilberts with product and technical support in dealing with on-site limitations. Those comments illustrate the value of early manufacturer coordination, but they do not substitute for coordinated drawings, calculations and commissioning records.
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What would the airflow sequence look like in a similar attraction?
A comparable project would normally be developed through a sequence like this:
- Define the loads and occupancy. Establish the floor areas, visitor numbers, staff areas, activity intensity, lighting and equipment loads, and expected moisture generation. The jungle attraction’s case study identifies high visitor numbers and activity-related heat and moisture as considerations, but does not publish its design loads.
- Map the architectural constraints. Record ceiling heights, graphics, scenic elements, climbing structures, bridges, zip-wire clearances and access routes. Mark locations where a terminal, inspection panel or duct cannot be visible or safely reached.
- Check the existing plant. Confirm available supply and extract capacity, temperature control range, fan pressure, filtration and control interfaces. Any unused capacity must be verified rather than assumed.
- Lay out supply terminals. Use a discharge pattern suited to the ceiling and occupied zones. The GSF approach in the case study aimed to carry air along the ceiling and reduce direct draught risk; another layout might require a different terminal or a different control strategy.
- Lay out extract terminals. Position GSXE-type or other suitable extract points to capture the room air that needs removal without short-circuiting directly from nearby supply outlets.
- Coordinate the installation. Resolve duct routes, support steelwork, fire stopping, access, scenic construction, lighting and graphics before ceilings or themed elements are closed.
- Commission and document. Balance each branch, verify control responses and record air quantities, temperatures, noise and any agreed indoor-air-quality indicators. Those measurements are what would demonstrate performance; they are not supplied by this case study.
What does the case study prove, and what does it not prove?
It supports a clear account of the selected design: existing rooftop air-handling plant was used; Kimpton delivered the mechanical-services design and installation; GSF swirl diffusers with Coanda plates supplied air; GSXE exposed circular perforated diffusers extracted air; and the arrangement was chosen for high air volumes, low ceilings and visual constraints.
It does not prove that the venue reached a particular temperature, that draughts were eliminated, that humidity stayed within a specified band or that the system used less energy than an alternative. It also does not provide a side-by-side comparison with displacement ventilation, chilled beams, textile ducts, conventional ceiling diffusers or another swirl-diffuser layout. Any claim that one of those options would have performed better or worse would require separate calculations or measured evidence.
The full supplier account is available in Gilberts Blackpool’s case study. Readers should treat its comfort language as a description of intended design outcomes and project experience, not as independently verified testing.
What should construction teams learn from the project?
- Bring ventilation into concept coordination. In a themed venue, ductwork and terminals affect the architecture, graphics and visitor experience. Late changes can force visible grilles, awkward drops or expensive rework.
- Design for occupied-level comfort, not only room-average temperature. A system can meet a mean temperature target and still create a cold jet over a queue or activity area. Discharge direction, induction, ceiling attachment and terminal location all matter.
- Separate supply and extract decisions. Supply terminals distribute outdoor or conditioned air; extract terminals remove room air. Their positions must work together to avoid short-circuiting and stagnant pockets.
- Account for changing visitor loads. A quiet morning, a full attraction and an intense climbing session can produce different heat and moisture patterns. Controls and zoning should be designed around that variability where the plant allows it.
- Protect maintenance access. Exposed terminals still require inspection and cleaning. Access doors, safe working positions and replacement procedures should be shown on coordinated construction information.
- Specify evidence at handover. Require balancing reports, control-set-point records and agreed comfort or air-quality measurements. Without them, the project team can describe intent but cannot quantify the result.
How should this approach be compared with alternatives?
The available data documents one installed approach, so it cannot rank alternatives. For a new attraction, an engineer comparing systems should assess:
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| Comparison point | Question to resolve |
|---|---|
| Airflow distribution | Does the discharge pattern reach the occupied zones without excessive velocity or stagnant areas? |
| Low-ceiling behaviour | Is there enough space for mixing and ceiling attachment before air reaches visitors? |
| Supply and extract balance | Can the system remove heat, moisture and contaminants without short-circuiting the supply? |
| Visual coordination | Can terminals and access panels coexist with graphics, scenic structures and lighting? |
| Acoustics | What sound levels result at the design air volume and fan pressure? |
| Commissioning evidence | What measurements will demonstrate that the agreed design criteria were met? |
Those are evaluation criteria, not results from the MediaCityUK attraction. The Gilberts case study supplies no comparative data on them.
Why is the wording “balancing the temperature” easy to misunderstand?
In everyday language, temperature balancing suggests active heating or cooling that brings every part of a building to the same value. In this project, the documented intervention was the distribution and extraction of air. Better mixing and a lower risk of cold dumping can improve how visitors perceive the environment, but that is different from publishing a measured temperature balance.
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One free scan finds every outdated or missing driver and matches the right update for your exact hardware.Free scan · exact hardware matchFor a technically accurate project description, state both parts: the team designed supply and extract to support comfort in a demanding, low-ceiling attraction, and the available case study does not report the measured outcome. That distinction protects the credibility of the construction record and gives future project teams a realistic basis for comparison.
Frequently Asked Questions
Did the attraction receive a new air-handling unit?
The case study says the project used existing rooftop air-handling plant. It does not identify the plant’s manufacturer, capacity, control arrangement or whether any components were upgraded, so a new-unit installation should not be inferred.
Are there published humidity or carbon-dioxide results for the jungle venue?
No. The source mentions activity-related heat and moisture as design considerations but gives no humidity, carbon-dioxide, temperature or airflow measurements. Those values would need to come from the project’s commissioning or building-management records.
Can another visitor attraction copy the GSF and GSXE layout directly?
Not without a project-specific design. Ceiling height, duct pressure, occupancy, scenic obstructions, fire strategy, acoustic limits and existing plant capacity all affect terminal selection and spacing; the case study provides no universal schedule or sizing rule.
What should a tender request if comfort performance matters?
Ask bidders to state design air quantities, supply temperatures, terminal locations, acoustic criteria, control sequences and commissioning procedures. Require balancing records and agreed measurements at occupied level, because product selection alone does not demonstrate the finished environment.
